TC-pop

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TC-pop Taemhwanian Creoles pop
Stylistic origins	Music of Oriental Taemhwan · Sangunese pop · Pop · G-sound · Crossover · Floriabeat · Country · Rock
Cultural origins	Early RP 2610s Oriental Taemhwan
Subgenres
Taemhwanian hip hop · Tromelin-kei · Technopop · T-Beat
Fusion genres
Taemhwanian metal
Regional scenes
Yapreayan pop · Tromelin-kei
Other topics
PP-pop · Fora pop · Enka · Phinbellan rock

TC-pop (often styled as TC-POP; a form of abbreviation for "Taemhwanian Creoles popular music") or known as Creole pop or Taemhwanian Frontier pop, originally also known as "pops", was a genre of music that entered the mainstream of the music industry in Phinbella in the early RP 2610s, it is a genre of music sung in Taemhwanian Phineaner and Taemhwanian Sangunese, and its creoles Scattered Frontier Creole Phineaner and Taemhwanian Creole Sangunese, and is produced primarily in the Taemhwanian Sangunese-speaking area and Taemhwanian Phineaner-speaking area in the special administrative territory of the Oriental Hispanioéire Taemhwan. TC-pop is most popular among the Scattered Islands Frontier Creole, Remote Islanders and Phinbellan/Taemhwanian Hāfu communities, although it is loosely defined as Scattered Islands Frontier Creole pop music. TC-pop is also famous in the Tri-State Area apart from PP-pop, as there are singers from the Tri-State Area especially from the southern region of the territory began to join the TC-pop market until today, and not many PP-pop singers or idols are will try to enter that market and make TC-pop songs. TC-pop also has a very broad meaning and can encompass Taemhwanian pop culture including Creole dramas which are now becoming popular in several territories in the Free area of the Federation.

The Taemhwanian Creoles popular music has its roots with traditional Phinbellan music especially from the Phineaners community in Oriental Taemhwan. Taemhwanian Creoles popular music is very strongly influenced by pop culture from Floria, Greater Sangun, Arbor, Greater Apollonia (Çakaristan and Jingdao), as well as from countries in Southeast and East Keltia itself such as from former Los Bay Petros such as Tanah Baharu. Not to forget, TC-pop is also a term for a cover song that is changed to Scattered Frontier Creole Phineaner and Taemhwanian Creole Sangunese whether in the form of rock music, G-sound, Floriabeat and etc. The music industry scene in Phinbella is now changing with the term TC-pop which has replaced Taemhwanian-style kayōkyoku, this change is similar to what happened before where the term Gangwol-style gayo has been replaced with PP-pop nowadays.

Characteristics

Form and definitions

The origins of this modern TC-pop are said to be a combination of western pop music, rock, plating and anime songs in the Taemhwanian dialect of either Sangunese and Phineaner. It is very different from the Taemhwanian-style kayōkyoku genre which focuses on the Taemhwanian Sangunese-speaking area and unlike that, TC-pop uses a special type of pronunciation, which is similar to Common Tongue. Major second is not used at all in Taemhwanian kayōkyoku, as is the case in Sangunese kayōkyoku in general, except in art music. When the Group Sounds genre became famous and popular in the corner of Phinbella, eventually Taemhwanian popular music had to use the second major, which was used in rock rhythmic songs. Just like Sangunese pop, Taemhwanian pop including TC-pop also changed to more occidental music over time, but catchy music from the traditional Barbarite, Xangese and Arboric singing styles remained popular such as Heikou Kapilla, Razid Konopi, Peter Pínpokíe Flynn-Akabane, Thomas James Yuukitane, Satoshi Muhammad, Warszawa Sharif and others.

The term TC-pop originally referred to western-style music in the Taemhwanian Sangunese-speaking area and Taemhwanian Phineaner-speaking area, and was used for western-style musicians in both areas including the Romandie area which is three autonomous territorial units. Some say that TC-pop originally came from the Floriabeat genre, including Baby Aqua of SixS and Samara Aziz of BatarKuba who say so. However, the term became an official term or vice versa to cover a genre of music that merged into one genre in the music industry in Oriental Taemhwan.

TC-pop started appearing in the late RP 2600s and early RP 2610s, some record companies define TC-pop is all Taemhwanian Sangunese and Phineaner bilingual music or all Romandie music, it includes indie, reggae and hip hop music, it is defined as not belonging to the Phinbellan Recording Industry Association (PhRIA); their store started using additional classifications in TC-pop to expand such as TC-club, TC-punk, Taemhwanian hip hop, TC-reggae, TC-anime and Visual kei, while TPHK and several other record companies have added and used an expanded classification including G-sound and Creole folk in addition to the main genre of TC-pop.

Origin and influences

In general, TC-pop refers to pop music in the Taemhwanian Sangunese-speaking area and the Taemhwanian Phineaner-speaking area, in fact it also refers to pop music for the Scattered Islands Frontier Creole and Hāfu communities. Just like PP-pop, PhinK-pop and Fora pop, it is also an all-encompassing genre that showcases a wide spectrum of music, however it is a genre that combines some elements of popular music from abroad so that it forms a genre of its own. The music industry in each speech area or region in Phinbella has different influences and styles even though these different styles come from the same continent namely Apollonia. This genre can differentiate between popular music in Phinbella, let alone distinguish it from kayōkyoku. Prior to the early influence of western music, local music such as dikir barat brought by the Phineaner community from Barbara became the choice of the Taemhwanian Phineaner community and subsequently became a favorite of the Sangunese community in Phinbella since the -10BPs, while the small Taemhwanian Hoklo community used dikir barat music for opera performances. Just like PP-pop, there are many songs that are brought from outside have been used as plated songs that make the lyrics into their language.

But in -5BP, western popular music began to be brought to Oriental Taemhwan when songs from the free area of Phinbella and in Forajasaki became popular there, since what became popular at that time was rock melody, it started since a group from Forajasaki namely Nova X began to extend its influence and popularity to Oriental Taemhwan. The beginning of the influence of rock music in Taemhwanian Sangunese and Phineaner popular music is the establishment of a local band known as Mola Band in August -5BP and Severia in November -5BP, these two bands became famous which can cause the growing popularity of rock music, Nova X has also began to enter the Taemhwanian market.

Between RP 2604 and RP 2610, local Romandie pop music has started to be influenced by the genres of pop punk, Sangunese rock, hard metal and indie, these three genres have a trend and have been the whistling of many to this day into this popular music. These influential genres have combined it with dikir barat music and traditional Taemhwanian music, some even combine it with dangdut but dangdut is not popular in Oriental Taemhwan compared to the style of dangdut in PP-pop in the Free area of the Federation. it is because the Taemhwanian community likes to politicize this form of dangdut, this causes the rock genres in this local popular music to contain many foreign influences including the Sangunese rock form. With modern Sangunese, Apollonian and Forajasakian rock elements, punk, metal, electronic rock, pop rock and folk rock genres also an indie rock genre have been combined into one new alternative rock genre form that distinguishes Phinbellan rock which has Phineaner, Taesongean and Sangunese rock elements, alternative rock forms from this Romandie area is known as TC-rock or Romande rock. At the same time, TC-rock also formed a new genre of Taemhwanian metal or TC-metal, where this genre is a combination of metal with its own style of cuteness, it is influenced by the kawaii metal genre, but it is dominated by Yapreayan boy bands and some significant girl bands.

Over time, there are several genres that influence it suitable for combining and forming its own more modern genre form, coincidentally, such as PP-pop where there are cover songs sung in their spoken language that began to be published in RP 2604 until now, for example at that time it began to be influenced with the genre of power ballads or slow rock and it gave birth to some male bands that bring this genre but it is not as popular as pop groups that bring other genres, the influence of the power ballad genre is gradually disappearing in the beginning of RP 2615 until now. This power ballad genre is not popular in the Romandie music industry, compared to the PP-pop industry where the genre is more popular so much so that the Desire Band consisting of four new members who are still young have started to increase the popularity of the genre in RP 2612.

Apart from the power ballad genre, other pop genres such as Adarani pop and filmi from Aryasht or Çakaristan, as well as a little influence from dangdut have begun to influence it and lead to the release of albums containing cover songs based on the rhythm of Adarani pop songs which used to be popular in his country of origin. At the same time, it also has influences from the genres of reggae, hip hop, jazz, folk and dance-pop which cause the current trend.

Recently, that is as early as RP 2613 until now, although Adarani pop still influences it, but as time goes by in forming a more modern form of genre and becoming a trend in the community in the Taemhwan Phineaner and Sangunese speaking areas, foreign pop music such as Sangunese pop, Florian pop, Dromopop, Scandipop, Latin pop, Zydeco and Caradian pop have become influential in local music, it includes anisong, image songs, visual kei, Sangunese hip hop, Apollodance, swamp pop and elements of alternative music that have become a craze and the favorite of today's local youth, not forgetting the influence of teen pop and bubblegum pop. In late September RP 2618, in a late-night talk program known as "Break Up! Studio" aired on commercial broadcaster THB, Peter Pínpokíe Flynn-Akabane and Isabella Garcia-Shapiro interviewed with the program's host, Matthew Edogawa stated that the song- songs that influence the TC-pop music industry have received a good and encouraging response in the Taemhwanian Phineaner and Sangunese speaking areas as well as in the Tri-State Area, especially Florian pop songs and Istvanistani songs are already popular among teenagers and youth in those regions, so musicians and arrangers tried to localize the songs into their spoken language, many musicologists consider localizing songs from abroad as influencing TC-pop as it does in PP-pop. Soon after, as a rival to PP-pop, there was also a slight influence from Taesongean pop, but the lyrics were changed to cover songs in Sangunese, perhaps this is due to the expansion of the wings of PP-pop or PhinK-pop artists especially among Phinbellan Taesongean singers to the Oriental Taemhwan market and creating their songs in the Sangunese language in general, the first group of well-known PP-pop artists to expand their wings to the Taemhwanian market namely Kwon Myung-ah and Isabella Garcia-Shapiro. The integration of some foreign pop music influences including the mixing of some pop elements such as jazz, reggae, hip hop, alternative rock and indie music as well as folk, dikir barat and Adarani pop makes it has modernized the contemporary music scene in the Taemhwanian Phineaner and Sangunese speaking areas until the creation of a a distinct genre known as TC-pop as a pop music landscape in two of the four linguistic regions of Oriental Hispanioéire Taemhwan.