TC-pop
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This article or section is a work in progress. The information below may be incomplete, outdated, or subject to change. |
| TC-pop Taemhwanian Creoles pop | |
| Stylistic origins | Music of Oriental Taemhwan · Sangunese pop · Pop · G-sound · Crossover · Floriabeat · Country · Rock |
|---|---|
| Cultural origins | Early RP 2610s Oriental Taemhwan |
| Subgenres | |
| Taemhwanian hip hop · Tromelin-kei · Technopop · T-Beat | |
| Fusion genres | |
| Taemhwanian metal | |
| Regional scenes | |
| Yapreayan pop · Tromelin-kei | |
| Other topics | |
| PP-pop · Fora pop · Enka · Phinbellan rock | |
TC-pop (often styled as TC-POP; a form of abbreviation for "Taemhwanian Creoles popular music") or known as Creole pop or Taemhwanian Frontier pop, originally also known as "pops", was a genre of music that entered the mainstream of the music industry in Phinbella in the early RP 2610s, it is a genre of music sung in Taemhwanian Phineaner and Taemhwanian Sangunese, and its creoles Scattered Frontier Creole Phineaner and Taemhwanian Creole Sangunese, and is produced primarily in the Rōmandie region i.e. three autonomous territorial units in the Oriental Hispanioéire Taemhwan, Taemhwanian Sangunese-speaking area and Taemhwanian Phineaner-speaking area. TC-pop is most popular among the Scattered Islands Frontier Creole, Remote Islanders and Phinbellan/Taemhwanian Hāfu communities, although it is loosely defined as Scattered Islands Frontier Creole pop music. TC-pop is also famous in the Tri-State Area apart from PP-pop, as there are singers from the Tri-State Area especially from the southern region of the territory began to join the TC-pop market until today, and not many PP-pop singers or idols are will try to enter that market and make TC-pop songs. TC-pop also has a very broad meaning and can encompass Taemhwanian pop culture including Creole dramas which are now becoming popular in several territories in the Free area of the Federation.
The Taemhwanian Creoles popular music has its roots with traditional Phinbellan music especially from the Phineaners community in Oriental Taemhwan. Taemhwanian Creoles popular music is very strongly influenced by pop culture from Floria, Greater Sangun, Arbor, Greater Apollonia (Çakaristan and Jingdao), as well as from countries in Southeast and East Keltia itself such as from former Los Bay Petros. Not to forget, TC-pop is also a term for a cover song that is changed to Scattered Frontier Creole Phineaner and Taemhwanian Creole Sangunese whether in the form of rock music, G-sound, Floriabeat and etc. The music industry scene in Phinbella is now changing with the term TC-pop which has replaced Taemhwanian-style kayōkyoku, this change is similar to what happened before where the term Gangwol-style gayo has been replaced with PP-pop nowadays.
Characteristics
Form and definitions
The origins of this modern TC-pop are said to be a combination of western pop music, rock, plating and anime songs in the Taemhwanian dialect of either Sangunese and Phineaner. It is very different from the Taemhwanian-style kayōkyoku genre which focuses on the Taemhwanian Sangunese-speaking area and unlike that, TC-pop uses a special type of pronunciation, which is similar to Common Tongue. Major second is not used at all in Taemhwanian kayōkyoku, as is the case in Sangunese kayōkyoku in general, except in art music. When the Group Sounds genre became famous and popular in the corner of Phinbella, eventually Taemhwanian popular music had to use the second major, which was used in rock rhythmic songs. Just like Sangunese pop, Taemhwanian pop including TC-pop also changed to more occidental music over time, but catchy music from the traditional Barbarite, Xangese and Arboric singing styles remained popular such as Heikou Kapilla, Razid Konopi, Peter Flynn-Akabane, Thomas James Yuukitane, Satoshi Muhammad, Warszawa Sharif and others.
The term TC-pop originally referred to western-style music in the Taemhwanian Sangunese-speaking area and Taemhwanian Phineaner-speaking area, and was used for western-style musicians in both areas including the Romandie area which is three autonomous territorial units. Some say that TC-pop originally came from the Floriabeat genre, including Baby Aqua of SixS and Samara Aziz of BatarKuba who say so. However, the term became an official term or vice versa to cover a genre of music that merged into one genre in the music industry in Oriental Taemhwan.
TC-pop started appearing in the late RP 2600s and early RP 2610s, some record companies define TC-pop is all Taemhwanian Sangunese and Phineaner bilingual music or all Romandie music, it includes indie, reggae and hip hop music, it is defined as not belonging to the Phinbellan Recording Industry Association (PhRIA); their store started using additional classifications in TC-pop to expand such as TC-club, TC-punk, Taemhwanian hip hop, TC-reggae, TC-anime and Visual kei, while TPHK and several other record companies have added and used an expanded classification including G-sound and Creole folk in addition to the main genre of TC-pop.
Origin and influences
In general, TC-pop refers to pop music in the Romandie region, the Taemhwanian Sangunese-speaking area and the Taemhwanian Phineaner-speaking area, in fact it also refers to pop music for the Scattered Islands Frontier Creole and Hāfu communities. Just like PP-pop, PhinK-pop and Fora pop, it is also an all-encompassing genre that showcases a wide spectrum of music, however it is a genre that combines some elements of popular music from abroad so that it forms a genre of its own. The music industry in each speech area or region in Phinbella has different influences and styles even though these different styles come from the same continent namely Apollonia. This genre can differentiate between popular music in Phinbella, let alone distinguish it from kayōkyoku. Prior to the early influence of western music, local music such as dikir barat brought by the Phineaner community from Barbara became the choice of the Taemhwanian Phineaner community and subsequently became a favorite of the Sangunese community in Phinbella since the -10BPs, while the small Taemhwanian Hoklo community used dikir barat music for opera performances. Just like PP-pop, there are many songs that are brought from outside have been used as plated songs that make the lyrics into their language.
But in -5BP, western popular music began to be brought to Oriental Taemhwan when songs from the free area of Phinbella and in Forajasaki became popular there, since what became popular at that time was rock melody, it started since a group from Forajasaki namely Nova X began to extend its influence and popularity to Oriental Taemhwan. The beginning of the influence of rock music in Taemhwanian Sangunese and Phineaner popular music is the establishment of a local band known as Mola Band in August -5BP and Severia in November -5BP, these two bands became famous which can cause the growing popularity of rock music, Nova X has also began to enter the Taemhwanian market.
