PP-pop

PP-pop Phinéas Padolski pop
Stylistic origins	Phineaner pop · Taesongean pop · Europop · Dikir barat · electronic · pop · dance · gospel · nasheed · rhythm and blues · hip hop · jazz · folk · classical · country · rock · reggae · experimental
Cultural origins	RP 2600s, Gangwol Phineaner-speaking region (Negara Awan, Phinbellan Maritime Territories (Maritime Kachi Kochi · Straits Settlements · Territory of Extraterritorial Authority), Territory of Flower and Phinbellan Unincorporated Territory) also in Permata Mutiara
Typical instruments	Vocals · drum machine · drums · electronic drums · bass guitar · acoustic guitar · synthesizer · keyboard · sampler · sequencer · digital audio workstation · percussion · groovebox
Subgenres
Yapreayan pop · Pekan-kei · PP-trot · PhinBeat
Regional scenes
Yapreayan pop · Pekan-kei

This article or section is a work in progress. The information below may be incomplete, outdated, or subject to change.

PP-pop (short for Phinéas Padolski popular music, Pyeongrang popular music or Pyeongrang-Gangwol popular music; Phineaner: Muzik popular Phinéas Padolski/Muzik popular Pyeongrang/Muzik popular Pyeongrang-Gangwol; Gangwol Phineaner: Muzik pop Phinéas Padolski/Muzik pop loghak Gangwol-Pyeongrang; Taesongean: 평랑-강월대중음악; RR: Pyeongrang-Gangwol daejung eum-ak or 피피팝) is a genre of popular music originating in the Gangwol dialect speaking region, namely the capital city of Phinbella, Negara Awan, Territory of Flower, Phinbellan Unincorporated Territory and in the Phinbellan Maritime Territories (Maritime Kachi Kochi, Straits Settlements and Territory of Extraterritorial Authority of the Refugee Camp and Immigrant Settlements Area), as well as in Permata Mutiara. This pop music genre is a genre of music in Phinbella that uses the Gangwol Phineaner dialect, including two creoles based on this dialect, Pyeongrang Phineaner and Springwind Islands Phineaner, Phinbellan Taesongean, Yapreayan, and aboriginal languages in this region. PP-pop is influenced by various genres such as Phineaner pop, Taesongean pop, Europop and Dikir Barat, even the style of gospel and nasyid also influences this pop music. In the late RP 2600s and early RP 2610s, precisely in the era of the Phinbellan provisional government, this form of genre emerged with many plated songs i.e. the original song lyrics were changed to lyrics using the Gangwol dialect or Pyeongrang creole itself, it was accompanied by Dikir Barat and mixed with modern music.

The emergence of a boy band known as Valèntich and the Friends-Tones in RP 2610, joined by five teenagers including two of them coming from Permata Mutiara, featuring a mix of slow rock, pop and nasyid genres, has become a craze for many fans among teenagers and young adults throughout the Phinbellan Maritime Territories, and some got names in the genre like Abang-Face, BoBBY and so on until the beginnings of PP-pop "idol" culture at the same time. Those idol groups have broken this genre into the Oriental Taemhwan market, and also it is already gaining popularity all over Phinbella. PP-pop has continued its popularity internationally especially in countries that want to establish bilateral relations with Phinbella, and try to enter the markets of foreign superpowers.

These PP-pop songs are mostly sad songs (mostly called jiwang), songs that are divine (especially nasyid or gospel genre), and plated songs, but they are delicious to be heard by all walks of life and will be their favorite regardless of religion and races.

Characteristics

Origin and influences

Although PP-pop generally refers to pop music in the Phinbellan Maritime Territories and the Gangwol-speaking region, many fans regard it as an all-encompassing genre showcasing a wide spectrum of musical elements. Popular music in the region has its origins in the local musical tradition and the popular Apollonian and Euran music styles. Folk songs and dikir barat were early musical styles that became commonplace in Phinbella and Forajasaki music culture. Beginning in the -30BPs, the social and entertainment dances of Phineaner and Taesongean were performed on a common stage, a fusion of the musical genres of these two majority ethnic groups had developed into a local popular music as it was performed on remote islands.

Western popular music had influenced Phinbellan popular music in the -20BPs or about the mid-30BPs, a group of immigrants from Northern Keltia and Western Apollonia had introduced such musical rhythms and taught it in local schools, only rock and disco rhythms were introduced. These songs which are based on rock and disco melodies in Phinbella are known as lagu perasan and it started in the early -20BPs, these songs were sung in their own dialect, so much so that it became increasingly popular for expressing any feeling in music, such as the most famous singer Linda Flynn-Fletcher was known for her song “Koi Lindana, Koi Nok Gembire” in -15BP. At that time, the popularity of the lagu perasan increased with the emergence of Love Händel and The Storm.

In the late -10BPs and early RP 2600s, which would be the beginning of the Phinbellan provisional government, Çakari, Umraist (nasheed), dangdut, city pop and Pekan-kei music forms began to influence during this time and had a trend to spread in local pop music. Çakari and dangdut music has influenced the dikir barat industry at the moment, albeit full of advice in such industries, and there are many plated songs based on this music. At the same time, Phineaner, Taesongean and Sangunese rock genres including slow rock have been combined into one form of local alternative rock genre namely Phinbellan rock or Pyeongrang rock, or more simply known as Phinbellan soul (jiwang Phinbella). A local composer has been combining traditional and rock music with Gospel music since the spread of the Nazarene began from the beginning of the Phinbellan exploration. Also at the same time, the trot and Enka music developed by Taesongean and Sangunese newcomers has influenced other Phinbellan communities, yet the influence of folk songs is also very widespread. Thus, local trot and Enka music was developed by being sung in the Gangwol dialect. Many plated songs are created according to the rhythm of certain musics with very different lyrics, yet the songwriting is in favor of the original creator. In the mid-RP 2600s, anime theme songs, image songs and Taesongean pop songs have influenced local music and are still of interest to local young people until now, whatever the influence has been mixed with others until a genre was created called PP-pop which refers to many the musical influences of this region.

Popularity and impact

CSA

PP-Pop is common in Sanpantul as well as in all Micras. Sanpantul management is very satisfied with PP-Pop.

Raspur Pact

In Shireroth, Hopsy released a PP-pop-inspired album in 1694. In contrast. PP-pop has been banned in the Unified Governorates of Benacia since the authorities first became aware of the phenomenon in the same year that Hopsy's album was first released. Owning, playing, or performing any piece of music deemed to be "PP-pop" carries the tariff of a mandatory ten year tour of duty with the Biological Remediation Service. Restrictions promulgated by national authorities culminated in the 1699 Edict of Prohibition against Degenerate Art issued by the Congress of Chryse. In Floria, popularity is mixed after PP-Pop is used for content such as memes and short funny videos online mostly mocking Phinbella.

See also

• Contemporary culture of free area of the Federation
• Phinbellan Wave (a.k.a. Phillyu)
• Gangwol Phineaner, Pyeongrang Phineaner and Springwind Islands Phineaner
• Pyeongrang idol
• Telenovela Gangwol
• Cinema of Phinbella
• List of PP-pop artists, idol and girl groups
• List of PP-pop concerts
• Music industry of Keltia
• Music of Phinbella
• TC-pop (Oriental Taemhwan)