TC-pop: Difference between revisions
No edit summary |
|||
| Line 17: | Line 17: | ||
== Characteristics == | == Characteristics == | ||
The origins of this modern TC-pop are said to be a combination of western pop music, rock, plating and anime songs in the Taemhwanian dialect of either Sangunese and Phineaner. It is very different from the Taemhwanian-style ''[[Wikipedia:Kayōkyoku|kayōkyoku]]'' genre which focuses on the [[Taemhwanian Sangunese]]-speaking area and unlike that, TC-pop uses a special type of pronunciation, which is similar to [[Common Tongue]]. Major second is not used at all in Taemhwanian ''kayōkyoku'', as is the case in Sangunese ''kayōkyoku'' in general, except in art music. When the Group Sounds genre became famous and popular in the corner of Phinbella, eventually Taemhwanian popular music had to use the second major, which was used in rock rhythmic songs. Just like Sangunese pop, Taemhwanian pop including TC-pop also changed to more occidental music over time, but catchy music from the traditional [[Barbara|Barbarite]], [[Xang Muang|Xangese]] and [[Emirate of Arbor in Barikalus|Arboric]] singing styles remained popular such as [[Heikou Kapilla]], [[Razid Konopi]], [[Peter Flynn-Akabane]], [[Thomas James Yuukitane]], [[Satoshi Muhammad]], [[Warszawa Sharif]] and others. | |||
The term TC-pop originally referred to western-style music in the Taemhwanian Sangunese-speaking area and Taemhwanian Phineaner-speaking area, and was used for western-style musicians in both areas including the Romandie area which is three autonomous territorial units. Some say that TC-pop originally came from the Floriabeat genre, including [[Baby Aqua]] of [[SixS]] and [[Samara Aziz]] of [[BatarKuba]] who say so. However, the term became an official term or vice versa to cover a genre of music that merged into one genre in the music industry in Oriental Taemhwan. | |||
== History == | == History == | ||
Revision as of 11:10, 2 June 2022
|
This article or section is a work in progress. The information below may be incomplete, outdated, or subject to change. |
| TC-pop Taemhwanian Creoles pop | |
| Stylistic origins | Music of Oriental Taemhwan · Sangunese pop · Pop · G-sound · Crossover · Floriabeat · Country · Rock |
|---|---|
| Cultural origins | Early RP 2610s Oriental Taemhwan |
| Subgenres | |
| Taemhwanian hip hop · Tromelin-kei · Technopop · T-Beat | |
| Fusion genres | |
| Taemhwanian metal | |
| Regional scenes | |
| Yapreayan pop · Tromelin-kei | |
| Other topics | |
| PP-pop · Fora pop · Enka · Phinbellan rock | |
TC-pop (often styled as TC-POP; a form of abbreviation for "Taemhwanian Creoles popular music") or known as Creole pop or Taemhwanian Frontier pop, originally also known as "pops", was a genre of music that entered the mainstream of the music industry in Phinbella in the early RP 2610s, it is a genre of music sung in Taemhwanian Phineaner and Taemhwanian Sangunese, and its creoles Scattered Frontier Creole Phineaner and Taemhwanian Creole Sangunese, and is produced primarily in the Rōmandie region i.e. three autonomous territorial units in the Oriental Hispanioéire Taemhwan, Taemhwanian Sangunese-speaking area and Taemhwanian Phineaner-speaking area. TC-pop is most popular among the Scattered Islands Frontier Creole, Remote Islanders and Phinbellan/Taemhwanian Hāfu communities, although it is loosely defined as Scattered Islands Frontier Creole pop music. TC-pop is also famous in the Tri-State Area apart from PP-pop, as there are singers from the Tri-State Area especially from the southern region of the territory began to join the TC-pop market until today, and not many PP-pop singers or idols are will try to enter that market and make TC-pop songs. TC-pop also has a very broad meaning and can encompass Taemhwanian pop culture including Creole dramas which are now becoming popular in several territories in the Free area of the Federation.
The Taemhwanian Creoles popular music has its roots with traditional Phinbellan music especially from the Phineaners community in Oriental Taemhwan. Taemhwanian Creoles popular music is very strongly influenced by pop culture from Floria, Greater Sangun, Arbor, Greater Apollonia (Çakaristan and Jingdao), as well as from countries in Southeast and East Keltia itself such as from former Los Bay Petros. Not to forget, TC-pop is also a term for a cover song that is changed to Scattered Frontier Creole Phineaner and Taemhwanian Creole Sangunese whether in the form of rock music, G-sound, Floriabeat and etc. The music industry scene in Phinbella is now changing with the term TC-pop which has replaced Taemhwanian-style kayōkyoku, this change is similar to what happened before where the term Gangwol-style gayo has been replaced with PP-pop nowadays.
Characteristics
The origins of this modern TC-pop are said to be a combination of western pop music, rock, plating and anime songs in the Taemhwanian dialect of either Sangunese and Phineaner. It is very different from the Taemhwanian-style kayōkyoku genre which focuses on the Taemhwanian Sangunese-speaking area and unlike that, TC-pop uses a special type of pronunciation, which is similar to Common Tongue. Major second is not used at all in Taemhwanian kayōkyoku, as is the case in Sangunese kayōkyoku in general, except in art music. When the Group Sounds genre became famous and popular in the corner of Phinbella, eventually Taemhwanian popular music had to use the second major, which was used in rock rhythmic songs. Just like Sangunese pop, Taemhwanian pop including TC-pop also changed to more occidental music over time, but catchy music from the traditional Barbarite, Xangese and Arboric singing styles remained popular such as Heikou Kapilla, Razid Konopi, Peter Flynn-Akabane, Thomas James Yuukitane, Satoshi Muhammad, Warszawa Sharif and others.
The term TC-pop originally referred to western-style music in the Taemhwanian Sangunese-speaking area and Taemhwanian Phineaner-speaking area, and was used for western-style musicians in both areas including the Romandie area which is three autonomous territorial units. Some say that TC-pop originally came from the Floriabeat genre, including Baby Aqua of SixS and Samara Aziz of BatarKuba who say so. However, the term became an official term or vice versa to cover a genre of music that merged into one genre in the music industry in Oriental Taemhwan.
