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|stylistic_origins = [[Caradia]]n folk music, [[Babkha]]n folk music, [[Krasnocoria]]n folk music, [[Ranentsi]]an folk music, [[Çakaristan|Çakari]] folk music, [[Thracistan|Thraci]] folk music, [[Nouvelle Alexandrie|New Alexandrian]] pop music
|stylistic_origins = [[Caradia]]n folk music, [[Babkha]]n folk music, [[Krasnocoria]]n folk music, [[Ranentsi]]an folk music, [[Çakaristan|Çakari]] folk music, [[Thracistan|Thraci]] folk music, [[Nouvelle Alexandrie|New Alexandrian]] pop music
|cultural_origins = {{tooltip|1700s|September 2021 – July 2022}} [[AN]], [[Oportia]]
|cultural_origins = {{tooltip|1700s|September 2021 – July 2022}} [[AN]], [[Oportia]]
|instruments = accordion, bagpipes, daire, drums, synthesizer, tarambuka, tambura, zurla
|instruments = accordion, bagpipes, daire, drums, synthesizer, tarambuka, tambura, vocals, zurla
|audio_examples = [[Media:mahla_1.mp3|Studio recorded mahla]]<br>[[Media:mahla_2.mp3|Live performed mahla]]
|audio_examples = [[Media:mahla_1.mp3|Studio recorded mahla]]<br>[[Media:mahla_2.mp3|Live performed mahla]]
}}
}}


'''Mahla''' ([[Alexandrian language|Alexandrian]]: '''Mahkla''', Sarnechi: '''Măhla''', [[Babkhi language|Babkhi]]: '''محلی, M'hla''') is a genre of popular music emerging in {{tooltip|1700s|September 2021 – July 2022}} [[Oportia]], as a result of cooperation between the music artists of various ethnic backgrounds in southwestern [[Eura]].
'''Mahla''' ([[Alexandrian language|Alexandrian]]: '''Mahkla''', Sarnechi: '''Măhla''', [[Babkhi language|Babkhi]]: '''محلی, M'hla''') is a genre of popular music emerging in {{tooltip|1700s|September 2021 – July 2022}} [[Oportia]], as a result of cooperation between the music artists of various ethnic backgrounds in southwestern [[Eura]].
==Characteristics==
The initial characteristics of Mahla were defined by performers of [[Caradia]]n and [[Babkha|Babkhi]] folk music, with some elements of [[Nouvelle Alexandrie|New Alexandrian]] pop. Following the influx of foreign workers into the emerging economy of [[Oportia]] and their introduction to the local music, the genre began to get influenced by the folk music of similar characteristics, such as [[Krasnocoria]]n, [[Çakaristan|Çakari]], and [[Thracistan|Thraci]]. Various instruments are used, however, the synthesizer is the most common, due to them being programmable and could immitate the sound of any instrument.
Mahla is popular on all types of celebrations, most notably birthdays and weddings, where live performances are not a rare sighting.
==Performers==
Arguably, the most popular performers of this genre are [[Gogu Nicolae]] and [[Rustam Salam]].

Revision as of 16:47, 27 February 2023

{{{1}}} This article or section is a work in progress. The information below may be incomplete, outdated, or subject to change.

Mahla (Alexandrian: Mahkla, Sarnechi: Măhla, Babkhi: محلی, M'hla) is a genre of popular music emerging in 1700s Oportia, as a result of cooperation between the music artists of various ethnic backgrounds in southwestern Eura.

Characteristics

The initial characteristics of Mahla were defined by performers of Caradian and Babkhi folk music, with some elements of New Alexandrian pop. Following the influx of foreign workers into the emerging economy of Oportia and their introduction to the local music, the genre began to get influenced by the folk music of similar characteristics, such as Krasnocorian, Çakari, and Thraci. Various instruments are used, however, the synthesizer is the most common, due to them being programmable and could immitate the sound of any instrument.

Mahla is popular on all types of celebrations, most notably birthdays and weddings, where live performances are not a rare sighting.

Performers

Arguably, the most popular performers of this genre are Gogu Nicolae and Rustam Salam.