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Mahla music: Difference between revisions

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==Characteristics==
==Characteristics==
The initial characteristics of Mahla were defined by performers of [[Caradia]]n and [[Babkha|Babkhi]] folk music, with some elements of [[Nouvelle Alexandrie|New Alexandrian]] pop. Following the influx of foreign workers into the emerging economy of [[Oportia]] and their introduction to the local music, the genre began to get influenced by the folk music of similar characteristics, such as [[Krasnocoria]]n, [[Çakaristan|Çakari]], and [[Thracistan|Thraci]]. Various instruments are used, however, the synthesizer is the most common, due to them being programmable and could immitate the sound of any instrument.
The initial characteristics of Mahla were defined by performers of [[Caradia]]n and [[Babkha|Babkhi]] folk music, with some elements of [[Nouvelle Alexandrie|New Alexandrian]] pop. Following the influx of foreign workers into the emerging economy of Oportia and their introduction to the local music, the genre began to get influenced by the folk music of similar characteristics, such as [[Krasnocoria]]n, [[Çakaristan|Çakari]], and [[Thracistan|Thraci]]. Various instruments are used, however, the synthesizer is the most common, due to them being programmable and could immitate the sound of any instrument.


Mahla is popular on all types of celebrations, most notably birthdays and weddings, where live performances are not a rare sighting.
Mahla is popular on all types of celebrations, most notably birthdays and weddings, where live performances are not a rare sighting.

Revision as of 17:02, 27 February 2023

{{{1}}} This article or section is a work in progress. The information below may be incomplete, outdated, or subject to change.

Mahla (Alexandrian: Mahkla, Sarnechi: Măhla, Babkhi: محلی, M'hla) is a genre of popular music emerging in 1700s Oportia, as a result of cooperation between the music artists of various ethnic backgrounds in southwestern Eura.

Characteristics

The initial characteristics of Mahla were defined by performers of Caradian and Babkhi folk music, with some elements of New Alexandrian pop. Following the influx of foreign workers into the emerging economy of Oportia and their introduction to the local music, the genre began to get influenced by the folk music of similar characteristics, such as Krasnocorian, Çakari, and Thraci. Various instruments are used, however, the synthesizer is the most common, due to them being programmable and could immitate the sound of any instrument.

Mahla is popular on all types of celebrations, most notably birthdays and weddings, where live performances are not a rare sighting.

Performers and albums

Arguably, the most popular performers of this genre are Gogu Nicolae and Rustam Salam.

List of the most popular mahla music albums:

  • De la Vormouna la Mâlâbad (From Vormouna to Mâlâbad, 1707 AN)
  • Sharhaa sard (Cold lions, 1709)
  • Suta la suta (Hundred percent, 1711)
  • Made in Oportia (1714)