Mahla music: Difference between revisions
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'''Mahla''' ([[Alexandrian language|Alexandrian]]: '''Mahkla''', Sarnechi: '''Măhla''', [[Babkhi language|Babkhi]]: '''محلی, M'hla''') is a genre of popular music emerging in {{tooltip|1700s|September 2021 – July 2022}} [[Oportia]], as a result of cooperation between the music artists in southwestern [[Eura]] | '''Mahla''' ([[Alexandrian language|Alexandrian]]: '''Mahkla''', Sarnechi: '''Măhla''', [[Babkhi language|Babkhi]]: '''محلی, M'hla''') is a genre of popular music emerging in {{tooltip|1700s|September 2021 – July 2022}} [[Oportia]], as a result of cooperation between the music artists of various ethnic backgrounds in southwestern [[Eura]]. | ||
Revision as of 16:24, 27 February 2023
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This article or section is a work in progress. The information below may be incomplete, outdated, or subject to change. |
| Mahla music | |
| Native name |
Mahla |
|---|---|
| Etymology | folk in Babkhi |
| Other names | Mahkla, Măhla, محلی, M'hla |
| Stylistic origins | Caradian folk music, Babkhan folk music, Krasnocorian folk music, Ranentsian folk music, Çakari folk music, Thraci folk music, New Alexandrian pop music |
| Cultural origins | 1700s AN, Oportia |
| Typical instruments | accordion, bagpipes, daire, drums, synthesizer, tarambuka, tambura, zurla |
| Audio example(s) | |
|
Studio recorded mahla Live performed mahla | |
Mahla (Alexandrian: Mahkla, Sarnechi: Măhla, Babkhi: محلی, M'hla) is a genre of popular music emerging in 1700s Oportia, as a result of cooperation between the music artists of various ethnic backgrounds in southwestern Eura.
