Norman cinema

Norman cinema (Alexandrian: Cinéma Normand) is a term used for films and cinemas shot in Normandie. Norman Cinema appears to have been a significant source of import for Normandie. Norman cinema flourished under the monopoly of the wrestlers of the Norman Wrestling Company and became the source of the argument that "every wrestler is an actor."

Cinema arrived in Normandie with Stormark's conquest of Normandie. Norman cinema continued to grow in its own right. The development of the cinema industry was spurred by the influence of Froyalanish television. Later, the cinema industry largely collapsed due to the Auspicious Occasion. Of course, at that time, uncontrollable madness was engulfing the Stormark royal family. When Stormark finally collapsed in 1685 AN, Normandie was wiped off the map. Sixty years later, with Theodoric van Orton's refounding of Normandie, Norman Cinema was revived under a different structure. The vestiges of Vanicism faded away, and in its place, the influence of Ortonism, which united the Norman lordships under one roof, began to be seen. By 1750 AN, Norman cinema had significantly advanced and became a symbol of national revival. This industry developed around Eastwood, a former Bosworthian town located just outside Quimper.

Contents from the old Norman cinema are still broadcast in Normandy. Older content is subject to intense censorship, so frequent that it renders the film virtually unwatchable. In 1749 AN, Roulf de Bayeaux promised to ban old films. Furthermore, contemporary Norman cinema, influenced by wrestling, is more action-oriented. Science fiction is second only to this. Norman wrestlers continue to dominate the film industry. Emotional films, however, are dominated by independent productions.