Interflix
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This article or section is a work in progress. The information below may be incomplete, outdated, or subject to change. |
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| Type | Streaming television and video on demand service |
|---|---|
| Country |
 Nouvelle Alexandrie |
| First air date | 5.VII.1684 AN |
| Availability | Global |
| Founded |
1684 AN, as an original content-focused streaming platform by Isabel Lemon |
| Slogan | "What You Want. When You Want It." |
| Market share | Largest internet streaming platform in Nouvelle Alexandrie |
| Headquarters | Cárdenas, FCD (since 1729 AN) |
| Broadcast area | |
| Owner |
National Broadcasting Corporation (NBC) |
| Parent |
National Broadcasting Corporation (NBC) |
| Key people |
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| Established | 1684 AN |
| Launch date | 5.VII.1684 AN |
| Digital channel | Fully digital platform available via app and website |
| Analogue channel | N/A |
| Picture format |
2160p 4K UHD 4320p 8K UHD |
| Streaming channels |
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| Internet platform |
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| Webcast | www.interflix.nax |
| Official website | www.interflix.nax |
Interflix is a subscription-based streaming and video-on-demand platform headquartered in Cárdenas, Nouvelle Alexandrie. Launched in Punta Santiago, Alduria 1684 AN, the platform is the country's largest and most widely used internet-based media service, offering original programming across genres and languages. Interflix operates in a major content partnership with the National Broadcasting Corporation (NBC) and is available all around Micras with multi-language support and dedicated international apps.
Initially launched as a niche alternative to traditional television, Interflix gained mainstream traction in 1687 AN when it signed a landmark partnership with the NBC. This deal saw NBC acquire a 43% stake in the platform, enabling Interflix to offer a significant catalog of popular shows and news content alongside its growing portfolio of original series and films.
Interflix operates three core streaming channels: Interflix (its main channel), CapuFlix (focused on Caputian, Hammish, and Alexandrian cultural and educational content), and WechuFlix (dedicated to multilingual and regional content, especially in Wechua and Martino).
The platform has been instrumental in shaping the New Alexandrian telenovela boom[1], producing breakout hits such as Corazones en Guerra, Sumaq Llacta, and El Club del Silencio, many of which gained international attention. Viral content from these series has driven user engagement across partner platforms like ClipWave.
Subscription Model
Interflix offers a variety of membership options to suit different viewing preferences and budgets. All paid subscription plans are billed monthly with options for annual payment at a discounted rate. Members can upgrade, downgrade, or cancel their subscription at any time.
- Free Membership – Limited content library with standard definition streaming and frequent advertisements.
- Standard Subscription – Full content library access with limited advertisements, HD streaming quality, and the ability to watch on two devices simultaneously.
- Premium Subscription – Ad-free viewing experience with complete content library access, 4K UHD streaming, offline downloads, and viewing on up to four devices simultaneously.
- Premium Plus Live TV – All Premium benefits plus access to live television channels including sports, news, and special events, 8K UHD streaming where available, and priority access to new releases.
Programming Highlights
- Original Series – Drama, comedy, thrillers, telenovelas, and more.
- Documentaries – Political, historical, and cultural.
- Children & Youth
- Local Voices – WechuFlix focuses on content in Wechua and other regional languages; separate services for Wakara, Babkhi, and Ladino also exist, but under WechuFlix.
- Licensed Content – Including classic and modern NBC programming.
Market Reach and Impact
As of 1742 AN, Interflix serves nearly 10 million subscribers, both domestically and abroad. It is credited with helping position Nouvelle Alexandrie as a rising soft power on Micras through cultural exports, original storytelling, and accessible language diversity.
