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Music of Alduria-Wechua: Difference between revisions

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Due to its highly syncretic nature, the music of [[Alduria-Wechua]] encompasses a wide variety of styles.
Due to its highly syncretic nature, the music of [[Alduria-Wechua]] encompasses a wide variety of styles.
==Popular styles==
==See also==
* [[Music of Alduria]]


[[Category: Music of Alduria-Wechua]]
[[Category: Music of Alduria-Wechua]]

Revision as of 17:07, 27 July 2020

The music of Alduria-Wechua is wide-ranging and thoroughly reflects its multiethnic diversity through many kinds of music styles, instruments, and compositions. It comprises of the musical traditions of Alexandria, Alduria, Wechua Nation, Caputia, Natopia, and Babkha. The music of Alduria-Wechua is heavily influenced by these cultures. For example, Wechua influences can perhaps be best heard in wind instruments and the shape of many of the melodies. Alexandrian influences can be heard in the rhythm and percussion instruments, and Caputian influences can be heard in the harmonies and stringed instruments. Each wave of Micras' stateless refugees to Alduria-Wechua has contributed greatly to the distinct musical heritage of the Federation.

The Alexandrian influence in Alduro-Wechua popular music can be traced to the emergence of Afro-Alexandrian blues. Caputian influences come from the music in the old Church of Hamland. Hammish, Israati, and Haifan musicians honed their crafts and created different indigenous genres that further developed the musical heritage of then-Hamland.

Due to its highly syncretic nature, the music of Alduria-Wechua encompasses a wide variety of styles.

Popular styles

See also