Daniel Enrique Saenz: Difference between revisions
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{{Infobox musical artist | {{Infobox musical artist | ||
| name = Daniel Enrique Saenz | | name = Daniel Enrique Saenz | ||
| image = | | image = Artist1.png | ||
| caption = <small>Saenz, from promotional material (1660).</small> | | caption = <small>Saenz, from promotional material (1660).</small> | ||
| background = solo_singer | | background = solo_singer | ||
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}} | }} | ||
Daniel Enrique Saenz Charbonnier (born 7.XIII.1627), known professionally as Daniel Enrique Saenz, is a Caputian singer, songwriter, composer, and producer. | '''Daniel Enrique Saenz Charbonnier''' (born 7.XIII.1627), known professionally as '''Daniel Enrique Saenz''', is a Caputian singer, songwriter, composer, and producer. | ||
He has sold over 30 million records, and has won numerous awards in [[Caputia]] and in the [[Wechua Nation]]. | He has sold over 30 million records, and has won numerous awards in [[Caputia]] and in the [[Wechua Nation]]. | ||
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==Associated Acts== | ==Associated Acts== | ||
===Los De San Luis== | ===Los De San Luis=== | ||
==Personal Life== | ==Personal Life== | ||
Latest revision as of 12:34, 7 May 2020
| Daniel Enrique Saenz | |
 Saenz, from promotional material (1660). | |
| Background information | |
|---|---|
| Also known as |
El Gran Músico La Voz de San Luis |
| Born |
7.XIII.1627 (AN) San Luis, Hamland (Caputia) |
| Genres | Caputian pop, folk, Sanluisiana |
| Occupations | Singer, songwriter, composer, record producer |
| Instruments | Vocals, guitar, piano, percussion |
| Years active | 1633 - present |
| Labels |
XXXX Records (XXXX - XXXX) XXXX Music (XXXX - present) |
| Associated acts | Los De San Luis |
Daniel Enrique Saenz Charbonnier (born 7.XIII.1627), known professionally as Daniel Enrique Saenz, is a Caputian singer, songwriter, composer, and producer.
He has sold over 30 million records, and has won numerous awards in Caputia and in the Wechua Nation.
Saenz is one of the most internationally recognized Caputian artists of recent decades. His popular style of Caputian and Alexandrian fusion has garnered him considerable success throughout Keltia, Tapfer, and Cibola. He does not limit himself to one style of music; instead, he incorporates diverse rhythms into intricate yet familiar musical arrangements.
"El Costo de la Vida" ("The Cost of Life"), "Si Me Quisieras" ("If You Loved Me"), and "Oh, Melusine!" are among his most critically acclaimed pieces, demonstrating his ability to be diverse in his lyrical content, spanning from incisive political commentary, romance, and religion.
